Second Story Sunlight - Edward Hopper |
English writer Neil Campbell has many
gifts, not least his amazing facility for language. His poetic skills are
brought to bear on his latest short fiction collection Pictures from Hopper (Salt, 2011) where almost every sentence has
some gem tucked into it – a beautiful word, a startling phrase, a gorgeous
image. Campbell’s début collection of stories, Broken Doll, was also
published by Salt, in 2007. Two chapbooks of poetry, Birds, (2009) and Bugsworth
Diary, (2011) were published by Knives, Forks and Spoons.
Pictures
from Hopper is, as you might guess, a collection
inspired by Edward Hopper’s paintings. It is peopled with the marginalised and
the broken and their lives are mapped out in stunning imagery. Some of these
stories are like prose poems where the story lurks in the background. Some of
them are a series of linked vignettes. ‘Texas Wildflowers’ describes a group of
different women and what they meant to the narrator: Black Eyed Susan played
fiddle with the Catoosa Brothers and ‘In the afternoons we’d make love to the sound of freight trains. Once
we rolled in a field of bluebonnets.’ Silky Camellia was a ‘crazy fireball’ and
‘in Tijuana her red heels seemed to float over the dust and she was a black
fire of oil in the neon heat haze.’ Huisache Daisy was ‘red ray petals on the
bed sprawling over cream.’
There is a unity of voice in these
stories; each one is different but there is a sort of weary Americana that
hangs over everything, they have the stillness and eerie quality of the
paintings they bring to life. But they are also packed with compelling and
sordid adventures: murder, drinking on a grand scale, illicit love.
Not all of the stories are from Hopper paintings, though his influence may still be there. ‘Why I Don’t Have Love’ is set in Manchester and is mostly in the form of two badly written letters from the narrator’s former lover telling him she is pregnant. The first letter is angry and Campbell doesn’t slip in his portrayal of the voice of this hurt, rejected woman. ‘If YOU don’t like a baby please find someone to adopted them..you have responsible Dave (I’am not joking and it not funny) Now I have an employment benefit and get monet for apartmet too...’. Things get worse for Dave, though, when it turns out the letter writer is also HIV positive.
If there is one fault to be found with Pictures from Hopper, it’s the lack of
dialogue in the stories. When Campbell does dialogue he does it well and a bit
more of it would be welcome in the dense slices of prose that make up many of
these pieces. His first person narratives are often bold and sassy, as in ‘Office at
Night’ where Mary Fires is a secretary who needs to keep her ‘blood up’ and
this need is fulfilled by the outlaw Clyde, rather than by her boring boss.
Famous Hopper paintings are given the Campbell treatment:
‘Gas’, ‘Second Story Sunlight’, ‘Office at Night’, ‘The Lighthouse at Two
Lights’, ‘Nighthawks’ – the results are original and not as you might
expect. And herein lies his skill – it takes little to set his imaginative cogs
in motion and the results are often beautiful. Raymond Carver said about writing
short stories: ‘A little autobiography and a lot of imagination are best’. Add
a little Hopper to that mix and you have a good Neil Campbell story.
I saw a Hopper painting on my recent trip
to Nebraska: ‘Room in New York’ – it was melancholic and hypnotic and that is
exactly the mood that Neil Campbell captures in these stories. As a reader, you
revel in his language, the mood, and the deep atmosphere that he creates; like
Hopper’s paintings, there is an intricacy and a richness to Campbell’s work
that is second to none.
As an extra treat, when I was finished reading each story, I googled the Hopper painting it was inspired by, to soak it in. Then I read the story again and the two have now become intertwined in a pleasing way. I recommend this collection to those of you who like a slice of noir wrapped up in gorgeous prose.
As an extra treat, when I was finished reading each story, I googled the Hopper painting it was inspired by, to soak it in. Then I read the story again and the two have now become intertwined in a pleasing way. I recommend this collection to those of you who like a slice of noir wrapped up in gorgeous prose.
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7 comments:
Nuala, wonderful review on Neil Campbell's "Pictures From Hopper". Makes me want to absorb these word pictures of excellent imagery. First I want to get my hands this masterful work. Where?
Hi Chico, there'; a link to the Salt website at the bottom of the post. You can buy it there, Cheers, N.
Great review - will deffo buy
Cool, Ev :)
I have started this great collection, Nuala, and am enjoying it so far. Thanks for the review - I did notice the slim amount of dialogue but I liked that as a direct contrast to my own where I tend to use lots of dialogue :) Shauna.
Yes, it's balance, I guess with dialogue. I like a bit, not tons, of it.
Glad you like it too, Shauna.
I was reading about this at the weekend, it sounds like it's right up my street. A really good review , enjoyed it and makes me really want to read it now.
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